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Member postings for Sam Stones

Here is a list of all the postings Sam Stones has made in our forums. Click on a thread name to jump to the thread.

Thread: Chinese lathes
21/11/2010 03:56:17
Hi Lathejack,
The great pictures in your album and their notes say so much, especially the loud and clear message :-
 
CAVEAT EMPTOR or "LET THE BUYER BEWARE".
 
Having been caught once when I bought a Chinese mill-drill, I can sympathise with your finding.
 
I can still hear the grating crunch of sand in one of the cast iron bearings.
 
Keep up the good work.
 
Regards,
 
Sam
Thread: plastic containers
19/11/2010 04:29:58
I have been watching this thread, and believe that you may find the following abbreviated notes of use when determining the type of plastic being used for food packaging containers. If you need further clarification, feel free to ask. Please note however, that what is being used in Australia may not necessarily reflect upon the markets in your part of the world.
A large portion of dairy products, especially ice-cream, are packaged in various specially developed injection moulding grades of polypropylene (PP). The soft, pliable lids are often injection moulded in low density polyethylene (LDPE).

Many containers are vacuum-formed (moulded) from acrylonitrile butadiene styrene (ABS) sheet, while high impact polystyrene (HIPS) can be found in the form of injection moulded yoghurt tubs. Most plastic bottles requiring high burst strength are made from a material called polyethylene terephthalate (PET). Some containers are made by injection moulding plastic around waxed-paper inlays, so be aware of this as a possibility.

Take-away containers are usually injection moulded in polypropylene homopolymer (PPHP), and unless they have been heavily coloured, they will display either good see-through clarity or what is termed contact clarity.

For your convenience, I have extracted the following Resin identification codes from Wikipedia. The number is usually inserted in the centre of a triangle of arrows indicating their re-cycling use. :-

1 - PET (Polyethylene Terephthalate)

2 - HDPE (High Density Polyethylene)

3 - PVC (Polyvinyl Chloride)

4 - LDPE (Low Density Polyethylene)

5 - PP (Polypropylene)

6 - PS (Polystyrene)

7 - Other (eg. ABS)

If you are unsure, especially if the sample does not carry an identification code, an easy method for determining if the materials is styrene-based or is a polyolefin such as PP or polyethylene (PE), is as follows :-

Snip a small piece off your sample, and slide it into very slightly soapy (wetted) water. Make sure there are no bubbles stuck to the surface. If it floats, it is most likely to be one of the polyolefins such as PPHP or PPCP, or it could be either HDPE or LDPE. If it sinks then it could be one of the styrenics, OR a polyolefin filled with one or other of a finely powdered mineral.

From the buoyancy test (ie. indicating a density less than water), if it flexes easily and springs back, it is probably PP, but if it lacks this elasticity it is more likely to be HDPE. If it is really soft, then this usually indicates LDPE.

Either of the two polypropylenes are handy materials if you want to produce a light-duty hinge. (Ask me how to do this if you need more information.) Polypropylene copolymer can be identified by carefully folding or indenting a thin (or thinned) sample, and noting if the stressed area becomes lighter (blushes) in colour.

If you plan on using any of the above materials as a source of sheet for model making, you will find that the styrenics (ABS and HIPS) and vinyls (PVC), are readily glued or solvent welded. But test the results on a piece of scrap material first.

Conversely, the polyolefins are quite difficult to glue, without the use of some oxidising primer, or a very briefly applied but very low intensity oxidising flame.

PLEASE TAKE CARE WITH ANY OF THESE METHODS & MATERIALS!

Some of the fumes could be toxic, while some of the materials can ignite fairly quickly.
 
Have fun.
 
Regards,
 
Sam
Thread: Things they don't tell you in the books so I'm asking you lot
18/11/2010 03:36:33

Adam’s posting is to be commended, so "Well done, Adam!"

The fact is, unless we can demonstrate our competence as a genius, or have become a professional student, there probably isn’t enough time in our lives to qualify in `Everything’.

In spite of my part-time study occupying all of fifteen years, sliced into two by National Service, I was (let’s say) `lucky enough’ to serve a six year toolmaking apprenticeship before I landed my ambition of becoming a draughtsman. I didn’t really enjoy the higher mathematics which came as an essential impediment(?), granting us a better understanding of beam theory or allowing us to weave and manoeuvre our way through engineering proofs.
As time went by, I was also lucky enough to begin mixing with people at all levels. Bog mechanics to CEO’s, there was always something to learn, or someone to learn from. Now, with anecdotes galore, I could easily write books full of the stuff.

Before clockin-off, one of my favourites stems from when, as a fairly recently promoted technical service officer smartly dressed for the occasion, I was `advised’ by the works manager of a plastics factory as he dashed past me that :-

"All your theory goes down the drain in this factory, you know!?"

With his overcoat flapping in his slip-stream, this manager had blustered past me about half a dozen times on his way to and from his office. Presumably that was necessary to keep the wheels turning? But, how did he know that I was an academic, or anything else about me for that matter?

Soon after his startling revelation, the moulding machine `jammed’.

Then, as if it were standard practice, four or five of his operators took hold and began swinging on a long length of 6x4 timber, trying to free the machine. That was the moment when it was pertinent for me to leave discretely, wondering if a drain had blocked.

Now, at least, I know what DOC means! Thanks again Nick.

Ian (S C),

The penny has just dropped on another `strange’ event, and (Norman), the reason that DOC went straight over my head.
I didn’t know that some lathes are graduated for "off diameter", as opposed to DOC.
 
While using a toolmaker friend’s lathe a few weeks ago, (when I was machining the bell of my skeleton clock), the coordinates I had generated for the spherical surface were producing the wrong profile. Now I can see the error of my ways having, (without knowing it), only ever used DOC. Luckily, he had a spherical turning attachment, but until now, I haven’t understood where my error had occurred.

So would OD = OFF DIAMETER? Or am I entitled to accept that it’s still short for OUTSIDE DIAMETER?

By the way, watch out for those big coils of blue steel. They have been known to find their way inside trousers.

Is a FLU wot smoke guzup?
 
Regards to all,
 
Sam
17/11/2010 21:31:37
Oh sHOnet !!!

How obvious!  Mutter mumble.

Clearly, only an ignoramus would ask such a question. Especially one who’s been applying DOC’s for about 65 years without knowing it. AND worst still, one who has been surrounded by plastics acronyms since 1950.

Perhaps for us oldies (who, like me, are too lazy to work them out), ME could collect and build a useful acronym glossary?

Thanks for coming to my rescue Nick!

Regards,

Sam

Edited By Sam Stones on 17/11/2010 21:32:55

17/11/2010 19:11:50
For the benefit of an ignoramus who no longer has the books, what’s a DOC?

Regards,
 
Sam
16/11/2010 05:10:24

I’m addressing John Coates' second question from the start of his thread dated 14/11/2010 - Turning - how to return a RH cut

As a Myford advocate, I bought my ML7 second hand in the early 60's. As I recall (from the widow who was selling up), the lathe was brand new in c1946. In other words, this was a machine which had been used for about 60 years when I sold up. It served me extremely well in all the time I used it, although I would have preferred a Super 7 based upon my toolroom experiences.

However, I have to say that, because the design of the ML7 saddle did not fully address the Narrow Guide Principle and issues Kinematic, the inevitable off-set forces, particularly those in opposition from the lead-screw and the tool post, eventually caused wear which allowed the saddle to rotate very slightly in the horizontal plane.

This produced two adverse effects. Firstly, it allowed the cross-slide to twitch out of square, and secondly, upon completing an internal pass, it would cause a tool to remove a little more metal if the saddle feed was reversed without first moving the cross-slide forward and cutter (ie. away from the operator and the work piece). The converse was such that the cutter would lift off an external diameter of the work piece rather than leave a spiral as per the experiences of other members.

By the way, the rectification of this lathe's shortcoming was the feature of an ME article written, as I recall, by the esteemed Mr Radford of NZ back in the 70's. He machined (milled) the saddle in such a way that both the front and rear guide faces extended over the full `length’ of the saddle.
 
As for producing a top-notch surface finish, I adopted the so-called `diamond turning' technique, ie. by stoning a tiny flat in the tip of the cutting tool. This flat would be absolutely parallel with the direction of travel, while being slightly wider than the feed pitch. You can imagine that this would virtually eliminate any evidence the the feed!?
 
Regards,
 
Sam 
Thread: Which New Lathe; choices, choices...
13/11/2010 02:13:20

Hi E,

From my experience of almost 65 years, it seems to boil down to :-

"Where should your patience be applied?"

Will it go into the models you make, or into the machinery you choose? I know what put mine to the test.

Anyway, good luck with your choices. I hope you get as much out of your hobbies as I.

Sam

Thread: Cleaning up after Silver soldering (brazing)
12/11/2010 04:35:28
Hi Clive,
 
My limited experience about silver soldering, although not about pickling, is as follows :-
 
I have only used borax as a flux, which forms into a glass-like coating during the silver soldering process. The best way of removing this, is to immediately plunge the item into boiling water while it is still hot from soldering.
 
If the item has already cooled down, then you might consider reheating it and having some boiling water ready to hand.
 
It has worked for me before, so this might work for you.
 
I'm not sure about the charring you mentioned, which is (perhaps) where the pickling comes in.
 
Ask the model boiler makers!
 
Regards,
 
Sam

Edited By Sam Stones on 12/11/2010 04:36:33

Thread: Over the Counter
10/11/2010 21:12:06

In my case, there are no straight answers to Eddie’’s questions.

When there's an email address and a quality guarantee printed on the packet, why waste time with the retailer and their rehearsed excuses?

Regards,

Sam

Edited By Sam Stones on 10/11/2010 21:12:45

Thread: fusee stop
10/11/2010 01:55:25
It's time I apologised for making my earlier statement about being the originator of the J Wilding clock thread, because I wasn't!
 
I was under some impression that the discussion was about a small detail in my clock photographs, and that my own isometric view was being used to study the workings of the fusee stop.
 
Sorry gentlemen!
 
Meanwhile, with a forecast of about 27C, I shall be sweating in a fairly warm garage this afternoon, making those all-important balance springs.
 
Perhaps a hair shirt would help to relieve me of my sins?
 
Regards to all,
 
Sam
Thread: Clock balance spring
09/11/2010 05:18:42
For further information, I've created a new album with a couple of photographs about the progress of the balance-wheel spring for my clock.
 
The `AFTER` picture shows a slightly grotty  result. I pinched a bit of oven-bake paper from my better-half's pantry to sit the spring clear of the baking tray. She told me it would scorch at 200C.
 
It did, and left a grubby piece of wire behind.
 
For the curious, the six spring coils tightened as a result of the stress relieving process.
 
I shall follow Michael Williams' suggestions when making the real one. It will remain unscathed.
 
Thanks Michael !
 
Regards to all,
 
Sam

Edited By Sam Stones on 09/11/2010 05:20:00

Edited By Sam Stones on 09/11/2010 05:23:38

08/11/2010 22:29:29
Hi Michael,
 
Once again your advice is proving very useful. Thank you!
I’ll do a stress relieving test on the sample which I’ve already made, just to see if there’s any physical movement.
 
Ian,
 
Thanks for your comments too. I've chosen to avoid bluing the spring because I reckon (straddling 300 degrees C), that would alter the temper, and I’m quite satisfied with the test results.
 
Regards,
 
Sam

Edited By Sam Stones on 08/11/2010 22:30:24

Edited By Sam Stones on 08/11/2010 22:31:35

Thread: fusee stop
08/11/2010 22:13:26
Hi Boldminer,
 
Although I've tried again to insert images, the system isn't working. Both of my last pictures fail to show. Once again, you'll have to visit my skeleton clock album.
 
I trust that the (new) drawing is of use. By the way, the chamfer on the Iron head measures about 11 degrees, although it doesn't need to be so accurate. 
 
When not involved in stopping the main-spring winding, the Iron needs to be `parked' out of line with the hook.
 
Regards,
 
Sam
 
 
Thread: Why is everything you buy such rubbish!!
08/11/2010 07:20:22
Didn't we teach -  

`How to take the food right out of our mouths'
?
 
As a Lancashire lad, I saw it happening with the textile industry in the 50's!!!
 
The education of overseas students is considered to be an important dollar earner here in Oz .
 
I don't expect to be around when this country goes down the gurgler in a few years time, but my children and grandchildren may.
 
Sam

Edited By Sam Stones on 08/11/2010 07:27:49

Thread: Clock balance spring
08/11/2010 06:53:47
Hi Everyone,
 
Winding the balance spring using the wire of a guitar-string, prompts me to ask about the post-treatment. I'll assume the wire falls into the category of MUSIC WIRE.

The 0.008" diameter wire appears to have been hardened, tempered and certainly polished already, but should it be stress relieved after winding around a mandrel?

I have read somewhere that the temperature should be around 200C, but for how long should it soak? Since tempering of steel starts around 290C (ish), I imagine that anything approaching this value should be avoided!? I don't really want a blue finish either.

Your comments would be most welcome.
 
Regards,
 
Sam
Thread: fusee stop
08/11/2010 04:08:39

Hi Boldminer,

I have just read more closely, your posting and realise how deceptive the isometric view can be when trying to work out the shape of the `head' of the Iron. I've therefore stripped off each of the other parts to reveal the Iron (that's the terms used in the original text).
 
 
[There was a problem inserting the image, so you'll need to go to my album.]
 
You can see from the yellow line, that the head is chamfered (it's about 10 degrees). This prevents the Iron from swinging too far over due to the spring (shown in blue). The square front face of the head stops the Iron from moving too far forward, otherwise it could overshoot, thus missing the snail-shaped hook.
 
By the way, unless I'm sadly mistaken, you have referred to this clock as being J Wilding's, whereas the original design which I have used, was John Steven's work. The drawing first appeared in five editions of ME commencing in Feb 1972.
 
Regards,
 
Sam
08/11/2010 01:21:44
Hi Boldminer,
 
Although there has already been some good advice provided, as the originator of the skeleton clock threads and photographs, if there's anything I can add, please feel free to ask.
 
Since the whole clock is represented in my CAD files, it's quite easy for me to access virtually all of the details.
 
Here, for example, with all the other details removed is an image of the parts of the fusee stop-work mechanism.


 
I trust that this helps. Having received a great deal of useful help myself, please don't hesitate to ask me for anything else about the clock.
 
Regards,
 
Sam

Edited By Sam Stones on 08/11/2010 01:24:27

Thread: Over the Counter
08/11/2010 00:09:58
I'm responding to the thread about buying rubbish.

My first picture shows one end of a blade straight from the packet. 
What is not so clear is that -
 
The pin visible in the picture was about to drop out.
 
There was no pin in the other end of the blade.

The blade was bent in two directions, probably due to packaging constraints.

Judging from the smell and the dirty brown colour, I suspect that the oil protecting the blades from rusting was used engine oil.
 
My second picture. 

This shows a section of a new `Super . . .’ blade photographed towards its centre, which is more to the right of the picture.

In discussing a replacement, the suppliers email quotes " . . . our `Super . . .’ brand which is more premium . . ."

As you can see, the tooth profile is totally useless. In fact when compared with the first blades, their `Super . . . ' blades are even softer. Having disappeared almost completely, the condition of the teeth is quite obvious.

What is really disappointing however, is that the teeth deteriorated after only 15-20 seconds of use while trying to cut MS (mild steel).

My third picture.
 

This is a picture of the blade I almost threw away. It was re-installed into the saw and was used to finish cutting the mild steel mentioned above.

You may ask "What is so special about the original blade?" I can assure you that it has been used for hours of sawing, and would be at least 30 years old!!!

Sam


Thread: Balance Spring Progress
05/11/2010 19:14:34

Thanks Michael.

While there have been lots of much appreciated advice and suggestions on this topic, your pointers to engineering science were perhaps the most impressive.

Holding the wire tight against the mandrel after winding the spring,  proved to be significant, even if it was only achieved with the plastic handle of a toothbrush.
 
You can expect more results from this thread, once I've adjusted the toothbrush.
 
Regards to all,
 
Sam

Edited By Sam Stones on 05/11/2010 19:23:51

05/11/2010 07:32:32
Thanks to everyone who contributed to this significant though tiny piece of my clock, I had a successful afternoon testing what I considered to be the best combination of ME ideas provided by various Forum members.
Without your help, I think I would now be ankle deep in twisted guitar strings.

With reference to my latest photograph in my John Stevens Skeleton Clock album, and a section of Machinery’s Handbook about mandrel (arbor) sizes , here are some of the facts built into my first respectable attempt.

Method

The mandrel was machined down to size and cross drilled 1.0mm diameter next to the root radius. The free end of the guitar string was threaded through this hole, and the unsupported (cantilevered) mandrel given a couple of turns to `catch’ the wire.

The guitar string was then passed over a plastic (polypropylene) idle pulley of about 19.5mm diameter. I figured that this pulley should be quite large relative to the mandrel.

I positioned the pulley about 250mm from the lathe centre line so that the wire had more freedom to twist on its axis during the winding stage. I elected to leave the pulley with a plain diameter (rather than cut a groove), so that the wire had greater freedom to `roll’ sideways on its own diameter, and because the lathe did not captivate my interest in trying to match the wire pitch to the feed. In other words, I would close-coil the wire, and then `pull’ the spring length into position later. A weight was hung onto the end of the guitar string, and the lathe chuck turned backwards by hand.

IMPORTANT NOTE - TURN OFF THE POWER SUPPLY TO THE LATHE.

With a sufficient number of turns on the mandrel to test the theories, I brought another piece of plastic hard up against the coils. The handle of a toothbrush gripped tightly in the tool post was very convenient for this purpose. I angled the contact face of the toothbrush handle so that the coil at the right hand end of the spring/mandrel would be the first to rotate. I intend to machine a proper face on the toothbrush handle to better suit the geometry.

At this point, the feed-end of the wire was cut, and the cross slide of the lathe very slowly and carefully withdrawn. It was necessary to trim a short tail off the wire so that the spring could readily unwind. The results can best be seen in the photograph.

Here are some details :-

The wire was a 0.2mm (0.008") diameter guitar string, costing $2.00
The mild steel test mandrel measured 3.8mm (0.15") diameter.
The idle pulley was 19.5mm diameter.
The tensioning weight measured 0.5kg
The resultant nominal spring OD was 7.6mm (0.30")
 
The spring was slightly smaller than the drawing, so I plan to machine a mandrel with a diameter of 4.0mm
 
I am not too concerned about the spring pitch at this stage since I expect that the balance wheel will provide sufficient weight on the spring to pull it down. A side-effect from this would be that there will be less load on the balance-wheel thrust bearing.
 
Please refer to the previous threads on this subject, where you will find the valuable notes from other members.
 
Regards,
 
Sam

Edited By Sam Stones on 05/11/2010 08:06:28

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